Senin, 29 Agustus 2016

Ebook Download War on Peace: The End of Diplomacy and the Decline of American Influence

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War on Peace: The End of Diplomacy and the Decline of American Influence

War on Peace: The End of Diplomacy and the Decline of American Influence


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War on Peace: The End of Diplomacy and the Decline of American Influence

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Audible Audiobook

Listening Length: 10 hours and 53 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: April 24, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07BGDPWLT

Amazon Best Sellers Rank:

This is an outstanding book. It is very well written and provides substantial detail about many of our diplomatic efforts in the last twenty plus years as well as the dramatic decline in the Foreign Service. Farrow devotes many pages to the unsuccessful efforts of Richard Holbrooke to achieve some sort of diplomatic success in Pakistan and Afghanistan. Farrow worked at the State Department and served under Holbrooke whom Farrow admired but also considered very difficult and his own worst enemy. Farrow details many of the military efforts in Afghanistan that caused more problems than they solved, including support of territorial war lords. The inescapable conclusion is that our efforts there have failed which, ironically, is underscored by an Inspector General's report that was just issued.Farrow describes the increased emphasis placed by our government on military efforts rather than diplomacy and the way it has caused problems in such places as Somalia.Farrow's account of the virtual decimation of the State Department under Tillerson underscores the difficulty we will have in the future conducting serious diplomacy.

War on Peace” is a riveting and thought-provoking book exploring the reasons behind the declining, though one hopes not dying, art and craft of US foreign diplomacy negotiation. Ronan Farrow, former US State Department diplomat and current journalist, details how the use of diplomacy has diminished over the last several presidencies, at the hands of ever increasing military power that is now used by the US as a replacement to foreign diplomacy. This trend started under President Reagan, continued through President George W. Bush, and was heavily favored by President Obama and is now carried on by the current administration. Now with key diplomatic positions unfilled in the State Department, and with a quarter of the its budget slashed, it seems that US diplomacy may be on life-support, if perhaps for the foreseeable future. Instead Farrow shows how military might (and the threat of it), and the military industrial complex seem to rule US international relations more and more, often supporting despotic rulers who pay lip service to US interests, but often actually secretly act in ways counter to US interests.Farrow has done meticulous research for his book. He interviewed over 200 key players, including all living former US Secretaries of State, numerous career diplomats, and military officials. Clearly his access helps give his book tremendous weight. His close work with the late Richard Holbrook, the legendary diplomatist, is masterfully portrayed in this book — as a man whose skills are of a time past and was significantly under-appreciated and under-utilized at the time of his death.Still Farrow was a young diplomat (at his time of service), and so I sometimes felt that his book’s conclusions about some diplomatic decisions, now portrayed through his eyes as a young journalist, were sometimes too judgmental. He may have felt the outcomes were only too obvious, but in hindsight only which is what he forgets. The decisions were not always clear at the time of negotiation; the reality of diplomacy is that it is usually intensely complex and clear-cut answers aren’t always evident or possible. Compromise must happen and only time will reveal that certain decisions may have been right or wrong ones, even when they might all appear positive at the time.I also think that Farrow could have been a little more objective in his approach. He admires Secretary of State Hillary Clinton, who administration he worked under. Yet he doesn’t mention at all under her watch the foreign policy disasters of the Embassy bombing in Libya or the email scandal that ultimately sank her own bid for the presidency. I suspect those two events also harmed the credibility of the State Department in many ways as well, something he should have explored more to present a fuller picture leading to the current State Department.This book was truly amazing though. I could hardly put it down, it was that good. Because of it, I found myself dwelling pondering the state of US diplomacy over the last many presidencies. I’m a strong believer in diplomacy, and hope that someday diplomacy will again ascend to its rightful place as the primary tool of foreign negotiation.

I never expected to pick up a non-fiction book on this topic and have it read like a novel. Farrow's writing is nuanced, fluid and full of first person anecdotes that bring color and immediacy to all the situations he describes.Combining careful research and analysis with first person interviews, Farrow illustrates the direction the United States government has taken over the past few decades in valuing militarism, devaluing diplomacy, and the disappointing and dire consequences for having done so.His accounts of where diplomacy has worked are realistic, not overly rosy. He portrays diplomacy as a messy, difficult, process, carried out by flawed human beings, and fraught with compromises that often do not leave the parties involved fully satisfied. And yet, the alternative--force--is clearly worse and, in the long run, does not seem to work to make either the US or any other place in the world safer. In fact, the opposite is mostly true.From reading this book, I got the impression that diplomats are often forced into positions of having to tolerate and even condone a certain amount of militarism. Farrow can't help but wonder if Democrats and Republicans valued diplomatic efforts more than these Pyrrhic proxy wars (and if the State Department and USAID were fully funded so as to be staffed with experienced and dedicated career diplomats, with a deep knowledge of the part of the world they were addressing, combined with their having sophisticated negotiating skills), if conditions here and abroad would not be so much better. Instead, over the years, and especially now, the State Department and USAID are being gutted of skilled, career professionals in favor of militarism and "might makes right."According to Farrow, this gutting of State, while seeming to reach its apex with Trump, was moving in that direction under other heads of state, such as Clinton, Bush and Obama. Farrow implies that Obama somewhat redeemed himself during his second four years with the Paris Accord, Iran Deal, and rapprochement with Cuba, all of which might be reversed under Trump. Farrow quotes Secretary John Kerry, who worked tirelessly on the Iran deal, as saying about Trump's threat to kill it, "If that's the art of the deal, you can see why this guy went belly up seven times."A quote by Cicero in the Epilogue sums up this thoughtful read: There are two types of military dispute, the one settled by negotiation and the other by force. Since the first is characteristic of human beings and the second of beasts, we must have recourse to the second only if we cannot exploit the first.Farrow's tone is measured but left me wishing that my country could move away from the direction of beasts.

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Minggu, 28 Agustus 2016

Free PDF Belle Weather: Mostly Sunny with a Chance of Scattered Hissy Fits, by Celia Rivenbark

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Belle Weather: Mostly Sunny with a Chance of Scattered Hissy Fits, by Celia Rivenbark

Belle Weather: Mostly Sunny with a Chance of Scattered Hissy Fits, by Celia Rivenbark


Belle Weather: Mostly Sunny with a Chance of Scattered Hissy Fits, by Celia Rivenbark


Free PDF Belle Weather: Mostly Sunny with a Chance of Scattered Hissy Fits, by Celia Rivenbark

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Belle Weather: Mostly Sunny with a Chance of Scattered Hissy Fits, by Celia Rivenbark

Review

“Rivenbark treats life's problems with refreshing disrespect and humor, so sit a spell and enjoy a rollicking, fun ride with the musings of one of the funniest of southern writers, one who appeals to the 'belle' in all of us.” ―Booklist“No matter what side of the Mason-Dixon line you live on, Celia Rivenbark's witty observations about Southern living are sure to bring a laugh.” ―Southern Seasons

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About the Author

Celia Rivenbark is the author of the award-winning bestsellers Stop Dressing Your Six-Year-Old Like a Skank; Bless Your Heart, Tramp; and You Can't Drink All Day If You Don't Start in the Morning. We're Just Like You, Only Prettier won a Southern Independent Booksellers Alliance (SIBA) Book Award for nonfiction and was a finalist for the James Thurber Prize for American Humor. Born and raised in Duplin County, North Carolina, Rivenbark grew up in a small house "with a red barn out back that was populated by a couple of dozen lanky and unvaccinated cats." She started out writing for her hometown paper. She writes a weekly, nationally syndicated humor column for the Myrtle Beach Sun News. She lives in Wilmington, North Carolina.

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Product details

Paperback: 304 pages

Publisher: St. Martin's Griffin; Reprint edition (September 1, 2009)

Language: English

ISBN-10: 0312363001

ISBN-13: 978-0312363000

Product Dimensions:

5.5 x 0.7 x 8.5 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

75 customer reviews

Amazon Best Sellers Rank:

#935,831 in Books (See Top 100 in Books)

Rivenbark -in one word- is always fun.

USA Today wrote of Celia Rivenbark "Think Dave Barry from a female perspective!" I say "Think Kathy Griffin or Roseanne Barr....with a sense of humor and some class!" She definitely has more of an edge than Dave Barry, which I like to begin with. But best of all, her irreverence and pure enjoyment of her own writing comes through very clearly in her voice as she reads her own words. She is obviously more relaxed reading her second audiobook, and you can hear her smiling with every fast-paced jab. It just a joy to hear her. Dave Barry, on the other hand, always sounded uncomfortable reading his own material.I would normally be offended buy a writer who manages to get in so many digs at everything I stand for (lazy husband and fatherhood, knee-jerk conservatism, man-toy consumerism) but she's just so damned funny I can't get mad at her!I'll be anxiously awaiting her next audiobook!

Laugh till you cry

This is a great summertime, vacation, read, or maybe the book you need by your bedside because your job sucks and you need a little happiness in your life. Either way, it is some good southern humor. Thanks, Celia, again! Much love, Teri (a Yankee)

So funny and so true!

Dare you to read THIS out loud & get through 5 sentences without breaking UP LAUGHING

Love books by Celia Ravenbark. She is a true Sothern Humorist alot like Lewis Grizzard just female.

I've read a couple of Celia Rivenbark's books, and they're enjoyable enough. Recommended for beach or airplane reading. They're pretty quick to read - her narrative flows well, and her stories are funny.

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Senin, 15 Agustus 2016

Free PDF James Adomian & Anthony Atamanuik: Trump vs. Bernie: Live from Brooklyn

Free PDF James Adomian & Anthony Atamanuik: Trump vs. Bernie: Live from Brooklyn

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James Adomian & Anthony Atamanuik: Trump vs. Bernie: Live from Brooklyn

James Adomian & Anthony Atamanuik: Trump vs. Bernie: Live from Brooklyn


James Adomian & Anthony Atamanuik: Trump vs. Bernie: Live from Brooklyn


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James Adomian & Anthony Atamanuik: Trump vs. Bernie: Live from Brooklyn

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Audible Audiobook

Listening Length: 1 hour and 16 minutes

Program Type: Audiobook

Version: Original recording

Publisher: Comedy Dynamics

Audible.com Release Date: March 11, 2019

Language: English, English

ASIN: B07PKVRSL5

Amazon Best Sellers Rank:

I have listened to this at least a dozen times and it is still funny. Great work of comedy!

Funny Stuff!!!

This is world class political satire! Very funny and cutting stuff. Atamanuik does a killer Trump!

Play all. Repeat.

OMG these comedians have nailed their portrayals of two of the most iconic figures in politics in recent years. Adomian plays Bernie Sanders as both gruntled and disgruntled, positive in his belief that good government can and should help people while being outraged at the extremes of capitalism and corporate greed, fond of quoting statistics and getting lost in minutiae, essentially an over the top slightly more disheveled version of the professorial socialist Sanders. And Atamanuik's brilliant portrayal of Trump allows him to wallow gloriously in the boastful egotistic cult of personality that is the Donald. His sociopathically outrageous statements and masterful baiting/rallying of the crowd make the real Trump seem like the pale (orange) imitation. If you follow politics in 2016 and feel like laughing at it, I hope you'll love this as much as I do.

Best ever! I'm almost glad the 2016 election has turned into such a disaster just because it gave us this gem.

One of the funniest albums of the year. The Trump you hear on this album now has his own TV show on Comedy Central called The President Show, which is also hysterical. But this album is like that show's OG first album. The thing the kids say they liked before people liked the show.The debate itself is really funny, which is moderated by Howard Fineman, who is also pretty funny in his deadpan style. But of course, the standouts are Trump and Bernie, one being the guy who constantly goes too far and earns the hatred of the crowd, and the other being the eccentric crowd favorite, both funny in their own ways.The best part about this album is that, while it's 100% a political comedy piece, it is funny no matter how you present the album itself. It's just plain old good comedy.

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James Adomian & Anthony Atamanuik: Trump vs. Bernie: Live from Brooklyn PDF

James Adomian & Anthony Atamanuik: Trump vs. Bernie: Live from Brooklyn PDF

James Adomian & Anthony Atamanuik: Trump vs. Bernie: Live from Brooklyn PDF
James Adomian & Anthony Atamanuik: Trump vs. Bernie: Live from Brooklyn PDF

Senin, 01 Agustus 2016

Ebook The Georgics: A Poem of the Land (Penguin Classics), by Virgil Kimberly Johnson

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The Georgics: A Poem of the Land (Penguin Classics), by Virgil Kimberly Johnson

The Georgics: A Poem of the Land (Penguin Classics), by Virgil Kimberly Johnson


The Georgics: A Poem of the Land (Penguin Classics), by Virgil Kimberly Johnson


Ebook The Georgics: A Poem of the Land (Penguin Classics), by Virgil Kimberly Johnson

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The Georgics: A Poem of the Land (Penguin Classics), by Virgil Kimberly Johnson

About the Author

Publius Vergilius Maro (70-19 B.C.), known as Virgil, was born near Mantua in the last days of the Roman Republic. In his comparatively short life he became the supreme poet of his age, whose Aeneid gave the Romans a great national epic equal to the Greeks’, celebrating their city’s origins and the creation of their empire. Virgil is also credited  with authoring two other major works of Latin literature, the Eclogues and the Georgics. Kimberly Johnson is a poet and a scholar of Renaissance literature. She is the author of two collections of poetry and the recipient of a National Endowment for the Arts Creative Writing Fellowship. Her poems, essays and translations have appeared in numerous publications, including The New Yorker. Cy Twombly is a well-known American artist, whose paintings are both graffiti-like and beautifully subtle. He lives in Lexington, Virginia, and Italy.

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Product details

Series: Penguin Classics

Paperback: 224 pages

Publisher: Penguin Classics; Bilingual, Reprint edition (February 22, 2011)

Language: English

ISBN-10: 0140455639

ISBN-13: 978-0140455632

Product Dimensions:

5.2 x 0.5 x 7.8 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#994,967 in Books (See Top 100 in Books)

The Georgics are not to everyone's taste, but it is an exquisite poem in many ways, and vastly influential. This is an excellent translation (Johnson). It is very close to the Latin, in fact it is sometimes so close as to make some lines temporarily puzzling -- and some of the word choices are very obscure English -- but it does give a feel for how much is actually being done in the very tight, mosaic-like Latin. A similar translation (also with facing page Latin) is David Ferry's well-known version, which is looser, but probably easier to read for the first time reader. Older, good translations are by the eminent Georgic scholar, Wilkinson (in an earlier Penguin edition with the most erudite introductions), and C.D.Lewis' earlier famous translation. The Oxford World Classics translation by Peter Fallon is just weird. For farmers, the line-by-line Mynors commentary on everything from soil types to astronomical signs is the bees' knees (for bees, check out book IV).

This is not a very good translation. The notes are fairly elementary and the vocabulary and syntax of the verse is obscure and confusing. Much better is L. P. Wilkinson's translation in an earlier Penguin edition. One nice thing about the present edition is the presence of the Latin original on the opposite page.

great! one can't have too many translations of the georgics

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The reviews are from Mynor's commentary, which is not the Wilkinson Penguin.The Georgics is a deep work, all the more powerful in these days of environmental concern. Part of its merit is its meditation on what is and is not controllable in the human relationship with the land. It is hard to believe that someone could write so beautifully about soil and pigs and vines, but Virgil accomplishes this and much more. It has for two thousand years been one of the touchstones of western civilization, so might be worth a little of your time! The best parts are in book 4 -- the allegorical story of beekeeping, which (among other descendants) finds a later echo in Book 1 of Paradise Lost -- and the exquisite story of Orpheus and Eurydice, itself embedded in the story of Aristeus and Proteus.Wilkinson is one of the deans of Virgilian scholarship, and it shows here in his introduction (there could have been more notes -- for notes, head for Mynor), and the translation is accurate and in places quite beautiful in its own right. Of the other translations available, Lewis is an old favourite, but I am now fond of David Ferry's version. David Ross' book on the Physics and Poetry of the Georgics is worth having as a resource to hand.

This is an extraordinarily beautiful edition of the poet's work translated by Dryden and published by the Heritage Press in 1953. The publisher shrewdly chose an Italian,Bruno Bramanti,to furnish illustrations that are grave and lovely.I prefer this translation by Dryden for its' structure,but there is an American-flavored rendering by Janet Lembke that is sensitive, and modern in the best sense of the word.That said,I find Dryden's trumpet of rhyme irresistible:What makes a plenteous harvest,when to turnThe fruitful soil,and when to sow the corn;The care of sheep,of oxen and of kine,And how to raise on elms the teeming vine;The birth and genius of the frugal bee,I sing,Maecenas,and I sing to thee.The translation is majestic,stirring and timeless.It is a fair tribute to Tennyson's description of "Roman Virgil" as "the lord of language".You will seldom own a more beautiful book.

The Kindle edition linked to this is NOT Mynors' commentary, obviously. Nor is the supposed hardback link, which is a rip-off press of J. B. Greenough 1900. "What makes the cornfield smile," etc. Beware.

The warm and friendly poet from Mantua, Publius Virgilius Maro, in his didactic poem entitled the "Georgics," covers topics relating to farming: in book one he deals with crops, in book two trees and shrubs, in book three livestock, and in book four bees. While several scholars have regarded this work as one of the best Latin poems ever, it must be taken into account that it is, nevertheless, far less entertaining than his famous "Aenied," and much more difficult to read. At times, in the "Georgics," Virgil echoes with that same brilliance many people have come to love in the "Aenied." But for the most part, this poem may be rigorous for anyone not serious about Roman poetry, so it is not recommended for everyone. In context of Virgil's time, this poem easily gets five stars, but the many archaisms found in it tend to alienate modern readers, and so, with much hesitation, the poem receives only three.

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