Minggu, 21 Desember 2014

Ebook Free Managing Country Risk: A Practitioner's Guide to Effective Cross-Border Risk Analysis

Ebook Free Managing Country Risk: A Practitioner's Guide to Effective Cross-Border Risk Analysis

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Managing Country Risk: A Practitioner's Guide to Effective Cross-Border Risk Analysis

Managing Country Risk: A Practitioner's Guide to Effective Cross-Border Risk Analysis


Managing Country Risk: A Practitioner's Guide to Effective Cross-Border Risk Analysis


Ebook Free Managing Country Risk: A Practitioner's Guide to Effective Cross-Border Risk Analysis

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Managing Country Risk: A Practitioner's Guide to Effective Cross-Border Risk Analysis

Product details

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Audible Audiobook

Listening Length: 8 hours and 30 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: country risk solutions

Audible.com Release Date: September 12, 2016

Language: English, English

ASIN: B01LW14FW7

Amazon Best Sellers Rank:

This is a good book but the title is misleading. Out of the 230 pages of text, about 100--only from page 42 to page 138--are actually about country risk. The other 130 pages include the author's view of China (an entire chapter), of Turkey, of Brazil, and of his opinion about events in the last couple of years (Arab Spring, etc.) This material is interesting but it surely has very little direct relevance to "Managing Country Risk." Of the 100 pages that actually cover the asserted topic of the book, the first 60 provide a semi-wide spread view and the last the 40 really home in on very small details about many different types of PRI (political risk insurance). For instance, if you would like to know the cost of a typical PRI policy dealing with PV (or, alternatively if you would like to be introduced to about 150 different abbreviations and, oh yeah, PV means "political violence") then this will be the book for you. If the entire book was actually about country risk, then it might well earn 5 stars. But as it actually is, 3 stars are appropriate.

With so few books on country risk out there, this book fills an important niche. While there is a fair amount of literature available for academics and finance professionals, this may be the only book of its kind whose target market is the lay person. Wagner deftly puts the subject into context, provides an easily understood description of some of the tools that can be used to perform country risk analysis, and rounds it out with an out-of-the-box discussion of some of the hottest issues in international affairs today. I found the book both easily digestible and comprehensive. I would definitely recommend it to anyone wanting to be introduced to country risk analysis without all the gobbledygook often associated with books in this field. Hooray for clarity and simplicity!

very informative

I work as a macroeconomic analyst and--as a fairly-green, junior employee--am always looking to improve my analytical scope. It was with this goal in mind that I picked up Wagner's masterful treatise on country risk. Before reading the text, I was only familiar with the more straightforward approaches to country risk analysis (the dryly academic approach, for instance, of providing a numerical score and weight to each element of country risk, then producing an overall weighted ranking). Wagner's text, however, provides a level of insight and demonstrates a flexibility of application that I believe to be absent in other texts on the subject. Through narrative examples, quantitative and qualitative analysis, and broad base of erudition, Managing Country Risk succeeded in bringing the topic to life. I feel that I have gained important professional skills as a result of working my way through the text, and hope to bring new depth to my future analyses.

What a pleasure to find a well organized, interesting and insightful read on this topic. The book is exceptionally well written, easy to read, full of references, examples and without bias, unlike so much "research" created on specific country risk. The book does a great job of giving comfort to the ambiguity and complexity of the world we live in. The examples show that certainty doesn't exist and no amount of information will change that. The chapter on Political Risk Insurance, enormously complete, is reason enough to buy, read and keep this book, but every chapter makes you think, not about what you know, but what you don't know, not about what is, but what can be. Refreshing and empowering for anyone with a global conscience or any global interest or business.

There are precious few books on country risk, so one would hope Wagner's tome would fill the gap. Unfortunately it consists largely of many lists and colorful graphs as well as a 27 pages of definitions at the end. Discussions of vital questions such as why rating agencies failed so miserably to predict Europe's sovereign crisis or why their ratings are so similar are missing. There is no attempt to model or forecast different kinds of country risks. The only useful part of the book is its discussion of political risk insurance -- the area in which Wagner has the most experience.

Having read several books on the subject of international risk management, I found Mr. Wagner's book to be the most informative. His use of real examples of instances where companies ran into trouble was particularly useful, and I found his approach more generally to be beneficial - particularly for those who may not have a background in the field.

I wasn't sure what to expect from this book. Country risk is such a difficult topic to address. Wagner didn't attempt to answer any question anyone could ask on the subject, but rather to cover the fundamentals in a way that is easy to understand. I knew a little about the subject before I read this book. I know a lot, now.

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Selasa, 16 Desember 2014

Free Ebook Perianesthesia Nursing Care: A Bedside Guide for Safe Recovery

Free Ebook Perianesthesia Nursing Care: A Bedside Guide for Safe Recovery

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Perianesthesia Nursing Care: A Bedside Guide for Safe Recovery

Perianesthesia Nursing Care: A Bedside Guide for Safe Recovery


Perianesthesia Nursing Care: A Bedside Guide for Safe Recovery


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Perianesthesia Nursing Care: A Bedside Guide for Safe Recovery

About the Author

Director and Chief Nurse Researcher, Director, UCSF Medical Center Institute for Nursing Excellence and Centre for Synthesis & Implementation, San Francisco, California

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Product details

Spiral-bound: 432 pages

Publisher: Jones & Bartlett Learning; 2 edition (September 15, 2016)

Language: English

ISBN-10: 9781284108392

ISBN-13: 978-1284108392

ASIN: 1284108392

Product Dimensions:

9.2 x 1 x 10.5 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#249,627 in Books (See Top 100 in Books)

I am a nurse who spent 5 years in ICU, and had the opportunity to transfer to PACU. This textbook has been incredibly valuable in expanding my limited knowledge about perianesthesia nursing. It is broken down into short sections of text grouped into chapters of related material. It is also written in a very simple question and answer format that makes it natural to read; it doesn't feel like you're reading a stuffy textbook! For example, in the "Airway Issues" chapter, there are questions like, "What is the stir-up regimen?" and "How do I extubate a patient?" The answers would be easy to understand even for a new nurse. Excellent textbook!

I am sorry but as a former ICU nurse who just started working in recovery there is no useful info whatsoever. I wouldn’t even recommend it to a new grad. Too late to return, very disappointed

Great review for my job

Very helpful

It was really good, packed with usable information.

Very comprehensive...a great study/teaching tool.

I am a new grad nurse who just started in the PACU as my first job out of nursing school. This book is very helpful as a new grad--starting from the basics. I haven't finished it yet but it has already been enormously helpful in my practice.

Not worth the money. Felt like I was reading a pamphlet in a doctors office. No real information.

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Senin, 08 Desember 2014

Download , by Karen E. Quinones Miller

Download , by Karen E. Quinones Miller

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, by Karen E. Quinones Miller

Product details

File Size: 1388 KB

Print Length: 245 pages

Publisher: Oshun Publishing Company, Inc. (February 28, 2008)

Publication Date: February 28, 2008

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0016OW8BS

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Amazon Best Sellers Rank:

#165,712 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I really enjoyed reading this book I didn't want to put it down it was never boring and I was amazed how Mr. Bumpy Johnson rose from an unknown street thug to the renowned Godfather of Harlem. There are so many that don't believe who Bumpy Johnson was, but I know family members (an great aunt who is still alive at 98) that migrated to Harlem from Georgia in the 30's and 40's that knew him in passing and what he was, they whispered about him with awe. Frank Lucas story of his life is a fairy tale even the detective that arrested him said he was a liar and a snitch.Bumpy Johnson was no snitch and nobody's flunky or henchman. Bumpy Johnson was who he was......a Gangster, he made no excuses for that but he did it his way. I wished he could have used that same talent and energy for a more respectable profession but he used what was given to him at the time, and of all the old gangsters of his time he was the last man standing. I would highly recommend this book if you are interested in the Real black gangsters of Harlem. Frank Lucas ain't it.

I purchased the Kindel edition of this book. Best 5.99 I ever spent. I really wish their was a tip jar because I owe someone some more money.More than just a story about the notorious Harlem Godfather Bumpy Johnson, this book puts you square in the middle of the action during the Harlem Renaissance. Mayme Johnson was only married to Bumpy Johnson for three years, but she lives several lifetimes in those three years. She knew or knew of EVERYBODY. From Sarah Vaughn to Billi Holiday to all the hipster party goers, hustlers and cops.Reading this book gives me more than an inside look at Bumpy Johnson's life, it gives me an inside look into life in Harlem.Harlem, at that time, had to be the sexiest place the world and in this book, the story of Harlem is told with just as much care as the story about Bumpy Johnson.

This book tells the story of the original "American Gangster" Ellsworth 'Bumpy' Johnson as told by his wife Ms. Mayme Johnson. As with any bio book about a infamous person written by a loving spouse you will see a certain amount of bias, especially when it comes to violence but Ms. Mayme did a fine job of telling about the good and the bad of the legendary Bumpy Johnson.After first seeing Bumpy's story in the movies 'Hoodlum', 'The Cotton Club' and a snippet in 'American Gangster', I wanted to read more about this man. In my opinion none of the movies did him justice but Hoodlum at least had some of the facts straight. This book gives the most complete story we will ever have. Of course Ms. Mayme was not there to witness acts of violence and must rely on what what was told to her by Bumpy or his associates regarding these acts. I enjoyed learning about his family history but especially liked the description of the co-author's encounter with the Queen, Madame St. Claire. It was good to read another example of the exaerations told by fellow legendary gangster, Frank Lucas. I mean isn't he enough of a bad-a** without having to make up things? Another excellent book on this topic is 'Sargent Smack', the story of the real Ike Attkinson who also exposes the many delusions in the mind of Frank Lucas.I read the Kindle edition of this book after waiting almost six months for the price to go down and its well worth the current price. A very good read. Well-written and hard to put down. Like taking a stroll down the streets of Harlem back in the day.Kindle EditionReview #12 - 12/22/11

I had been interested in reading about "Bumpy" from the days of "Shaft" and "Hoodlum". Just who was this guy that instilled fear into the hearts of "BIG" "BAD" Mafia hoods like Dutch Shultz and demanded respect from Luciano? The way other gangster books and movies told the story: The game began and ended with Italians. Everybody knows Capone, Luciano, Gambino etc.... But who was Bumpy Johnson? Mayme told the story the way it was!! And introduced many more characters of the underworld that no one had ever heard about.....Unless you were there in the game!And this is what I liked about the book: IT WAS FRESH!!! New information that I had not read before in The Godfather, Goodfellas and other Mob books (And God knows i've read 'em all!).I HIGHLY recommend this book to anyone who is interested in Bumpy and the Harlem that has been misrepresented in the media. My only complaint is that it wasn't long enough. Mayme made me feel like I knew her and I could listen to her forever!!!! Thank you for telling the real story!

Where do I begin?! Let me just say this book is EXACTLY what I was looking for. I wanted to read or learn about the life and times of a gangsta from a "black point of view" back in the days. This book is just that. Even though it is supposed to have been told from his wife's point of view, it is still as gritty as can possibly be. The book was a little of 200 pages and I think I finished it in 2-3 days during the work week. The book had a few grammar errors but Im a trucker not an editor. That was not an issue for me. lol The STORY, whether true or not, was great!!! What else do you want when you open a book if not a GOOD STORY?????? The main character and the story is in Harlem NY. I suspect people from New York would enjoy it even more.

A fascinating read. You can hear the voice of the narrator. Authentic story telling about an engaging individual--warts and all.

Honestly, I could not put the book down! With all the films such as Hoodlum and American Gangster, which gave the Hollywood version of a notable man. I will say this: It does make you reexamine the Frank Lucas claims that he was "Bumpy's right-hand man", since the widow of Bumpy dismisses those claims and brings to light other personalities that displayed Frank Lucas' skill to spin a story using someone else's life story. Miss Mayme strips away all of the nonsense history has placed on her husband, and gives us an honest actually being there story. If you like gangster stories, add this to your shelf- this isn't fake fiction, this is a real story, a real person's real life.

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Minggu, 07 Desember 2014

PDF Download Dance Music Manual, Second Edition: Tools, Toys, and Techniques

PDF Download Dance Music Manual, Second Edition: Tools, Toys, and Techniques

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Dance Music Manual, Second Edition: Tools, Toys, and Techniques

Dance Music Manual, Second Edition: Tools, Toys, and Techniques


Dance Music Manual, Second Edition: Tools, Toys, and Techniques


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Dance Music Manual, Second Edition: Tools, Toys, and Techniques

Review

"In short, Snoman knows what he's talking about...Snoman guides you through the daunting tasks of not only making it sound good but also getting it to the ears of the public." - Remix "An exceptionally well-written and researched book combining both the art and science of dance music production...All in all it adds up to quite a package, which deserves a place on any aspiring dance music producer's desk." - Music Tech

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From the Back Cover

Whatever your level of experience, the Dance Music Manual is packed with sound advice, techniques and practical examples to help you achieve professional results. Written by a professional producer and remixer, this book offers a comprehensive approach to music production, including knowledge of the tools, equipment and different dance genres. Get more advice and resources from the books official website, www.dancemusicproduction.com.

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Product details

Paperback: 528 pages

Publisher: Focal Press; 2 edition (October 27, 2008)

Language: English

ISBN-10: 9780240521077

ISBN-13: 978-0240521077

ASIN: 0240521072

Product Dimensions:

7.2 x 0.2 x 9 inches

Shipping Weight: 2.5 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

187 customer reviews

Amazon Best Sellers Rank:

#736,571 in Books (See Top 100 in Books)

At the risk of repeating the reviews of others, I felt it necessary to issue a review. I do so in the hopes that the faults expressed will collectively make their way to the author, and the editors at Focal Press.First off, I can't say enough good things about the catalog of the publisher, Focal Press. It would be difficult to find another publisher that provides the breadth and depth of resources and subjects Focal does; I've devoured many of their titles, and not one has let me down. Many help guide publishers fill out their catalogs with shallow or vague treatments about the same subjects. Not Focal. They have a knack for issuing books that cut right to the chase.Now for "Dance Music Manual" -- I readily applaud the author for what he does well. A major reason behind my purchase of this book was to find answers to my continual confusion about the differences between the 1000s of genres, sub-genres, and sub-sub-genres of dance music. In our media-drenched age, it seems that it takes merely 4 or 5 people who agree on a microscopic difference in a song or two to splinter off and recast them as a new dance music form. If a record store existed to stock every one of these "styles", the bins would contain more dividers than records.Thankfully, Snoman confirms my suspicion by stating more than once that honestly, differences between the dozens of genres of House music are so small as to be irrelevant. That's not to say that the subdivisions aren't necessarily valid, but simply that I shouldn't spend much energy worrying about playing a French-Hardcore-Techno-Trance-House track in a set of Appalachian-Ragga-Funk-Step-Garage-House music. Thanks for that, sir.While the theory section is necessary for this book to live up to its purpose, I agree with some other reviewers that Snoman does tend to assume too much in some of his explanations. In other words, HE certainly knows what he means on these occasions, but something is lost in translation to the reader. It's not a matter of being too technical; the fault is in the clarity of the writing. To put it plainly, there were several moments when reading this section during which I would have loved to have the author at my shoulder for a quick explanation of what he meant to say.Finally, there is the overall quality of the writing, and certainly the editing. I've never come across a Focal Press book that had any problems in this area, until now. The sheer number of errors in syntax, punctuation, and misuse of words makes this book a real struggle at times. It's worth slogging through, no doubt. However, as has been said in other reviews, multiple errors on a single page is TYPICAL (NOT 'atypical', as Snoman would insist). The overall impression I get from this aspect of "Dance Music Manual" is that it's as if the book was written in English, run through a computer translation program into Hungarian, and then re-translated into English again.I want to make clear that this won't keep me from referring to this book as a valuable resource. But I cannot dismiss this aspect of the writing, either. Mr. Snoman's chosen profession is not authoring crisp, flowing prose; it is that of producer/musician/remixer and so on. In such a case, the responsibility for keeping the copy clean, understandable, and, well, correct, falls on the book's editors. In this instance, they have failed. I hope that this critical flaw won't turn potential readers away in great numbers, but I wouldn't be surprised if that were the case.A quote from the Acknowledgements:"I'd particularly like to thank...Lars Pettersson for his tireless efforts in correcting my grammar"I looked this up because I had to know. I'm not proud that my first thought was to question whether or not English is Lars Pettersson's first language. If it is not, that would explain quite a bit about this book. Regardless, It's quite amazing that this book got to the printer in its present form, which makes me wonder how many Focal Press folks actually read it. Let's hope for a more enjoyable read in the 4th edition.Four stars means "I Like It", according to the ratings system in this forum, and that rating is accurate. It's too bad that the editing is so glaringly lacking, because I believe Mr. Sloman's star rating score would improve dramatically with a first-page rewrite/edit, and in every other judgement, deservedly so. I would think that this would result in more book sales, and that's always a good thing.

This book in my opinion is a complete reference. Music theory, to general equipment to use, to even detail device descriptions and what they are used for. Many genres of dance music are also covered in here and many I didn't know existed. This book also covers DJing and promoting as for I didn't have interest in it before, but was very intuitive and fun to learn about. Book is well written with modern text and references as also references to classic machines and understanding. Book also covers a broad spectrum overview of everything including DAWs. Well written highly recommend it to anyone who has an interest in how dance music is made or who wants to create it.

This is a very descriptive manual, It covers just about everything for electronic music production and genres. I would have titled different, it sounds simple but is not.,It includes charts, midi info, math. This is for people with some existing knowledge. A good tool if you want to explore in detail. It will stay in my library.

This book is very dense and rich with information. It'd probably be best digested slowly over the course of a very long time. I sat down and read it straight through and came away feeling like I'll never 'get there' because there's just too much to it.Also as the title implies, it's for DANCE music. If you're into non-dance electronic music you might not find it as useful.

For years I had the 2nd edition, and studied it until the cover fell off. Snoman does not waste your time with plugs for the latest software or gadget, but spent chapters of his book discussing every little nuance and detail of electronic dance music production with a solid emphasis on the analog fundamentals of sound synthesis, etc.For this 3rd edition, Snoman outdid himself, and this book is now better than ever. There are completely new chapters, and many previous chapters have been updated to reflect the latest music trends and technologies.The fundamentals are all still there, and I could spend hours studying some chapters of this book in front of my computer. His chapters on compressors, processors, effects, mixing structure, kicks and percussion, and sound design practice are very valuable.But there are some fundamental flaws with this third edition that need to be corrected in the next edition. These flaws should not stop a serious student of electronic dance music from buying and reading this book repeatedly. But they should be noted.First, the book is very poorly edited and full of typos and grammar mistakes - roughly 2 - 3 mistakes per page. Second, Snoman's style is at times a bit too casual in a very colloquial British manner, and assumes a bit too much background knowledge on his readers' part. I often found myself struggling to follow what he was saying. For example, I just randomly opened up to a page discussing how to program the lead in a song and Snoman writes "a common approach... is to construct a harmonically rich sound through saw, square, triangle and noise waveforms along with ... the unison feature... Once a harmonically rich voice is created, it can then be thinned... with the filters or EQ and modulated with the envelopes and LFOs." OK, I am perfectly capable of throwing together a couple of oscillators on my synth, and understand perfectly well what it means to apply a filter or EQ or an envelope of some kind and LFO to sound waves generated by the oscillators. But seriously, after reading this, I am no closer to understanding how these components come together to form a properly programmed lead. I mean seriously, how many contemporary synth tracks DO NOT use some combination of saw, square, triangle and noise oscillators passed through audio effects like filters and EQ and modulated by envelopes and LFOs? To some extent the burden is on my to catch up with Snoman - But if I were already at the level where reading these sentences I instantly knew exactly what Snoman meant to say and could fire up my favorite subtractive synthesizer and bust out a charming, perfectly programmed lead sound, then what would be the point of reading the book. I am the student, he is the teacher. But sometimes Snoman seems to forget that his audience is a bunch of newbies who need hand holding from time to time and seems more interested in having a casual chit chat with his peers about their craft. A third and final problem - which really isn't that big of a deal - is that Snoman's chapters discussing specific genres seem to miss the mark from time to time. Or at least, my experience and impression of certain genres is quite different from Snoman's. The weakest discussion is probably the "Ambient/chill out" chapter. Part of the problem is a problem of genre labels themselves. Snoman is sensitive to the fact that the minute you make a generalization about a genre, it is based on your subjective impression of what falls under the label. A lot of electronic music falls through the cracks, doesn't conform to any of the generalizations Snoman makes about any of the genres described in the book, etc. But I do not consider the genre discussion chapters to be the core strength of Snoman's book. The beauty of the book is really the first 19 chapters of fundamentals. So even if your particular perception of the distinguishing features of a particular style is different from Snoman's it is not a big deal.Over all, this is and has been for years a very important and valuable book for anyone interested in getting beyond the "beginner" stage in producing electronic dance music - an absolute must read! And I have not purchased Snoman's video tutorials that are built around this book, but they may be the missing link that would make this book a 5 star product. But this book still has some room for improvement for the 4th edition.

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Dance Music Manual, Second Edition: Tools, Toys, and Techniques PDF

Dance Music Manual, Second Edition: Tools, Toys, and Techniques PDF
Dance Music Manual, Second Edition: Tools, Toys, and Techniques PDF

Selasa, 02 Desember 2014

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File Size: 3642 KB

Print Length: 571 pages

Publisher: Princeton University Press; 1st Princeton Ed edition (April 29, 2015)

Publication Date: April 29, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00UW1J422

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I like his ideas about the excesses of capitalism and the war industry. If he were around today I bet he would be writing about ways to create socially responsible corporations.

If only the present Federal Reserve Chairman as well as the past and Furture Chairpersons could read and understand this book, the economic turmoils could be muted. This is the primer for all who engage in managing the ship of state. Withouth this knowledge only the cycles of collapse will endure.

Whether you agree with his political views or not, John K. Galbraith is always a pleasure to read. If you are interested in "economic philosophy", you cannot go wrong with any of his books.

The order was placed at the same time as another book which arrived 2 weeks quicker despite being shipped at the same time. More effort might have been made to keep me informed. Other than that the book arrived it was in good condition and was what I wanted.

Not an excellent economist. Galbraith's style and ease of readability is almost second to none but there is little substance in this book. I would recommend Mises, Rothbard, or Hayek to any interested in economics. I will say this however, you can't know what you disagree with, nor why you do, if you don't read their work.With that said though the rating I gave was low I do think it is a necessary purchase and read so that one can make themselves familiar with many of the flawed arguments they will come into contact with.A biased or selective reader is a limited in knowledge.

BOOOOOORING.I'm a basic bitch. Sorry.

This is a superb book. It is a book, however, that has become dated. Its datedness should not dissuade potential readers. The datedness of "The New Industrial State" has only changed the books relevance and importance. When the book was first published in 1967, it accurately described how the then modern corporation functioned, its power structure, and the motivations of individuals who guided the decision making and development of the corporation. This book should be understood to be part of a publication trilogy, starting with Galbraith's "Affluent Society," "The Industrial State," and "Economics and the Public Purpose." In my opinion "The Industrial State" is the apex of the series. It is however, the most technical of the three books. The "Affluent Society" being the most accessible. For economic academia the book was revolutionary, because it radically challenged microeconomic and macroeconomic textbook accounts of markets and market adjustments. Microeconomics was challenged on several fronts. The most important being the motivation of the `power brokers' of the (then) modern corporation, what Galbraith called the "technostructure." The technostructure is a complex and imperfectly defined "collective" of (especially) "technical" and "specialized" staff members at the midrange management level. It was the decision making of the technical and specialized staff members who really determined the development direction of the (then) modern corporation. This is revolutionary because the motivation of these staffers, or technostructure, was not one of profit, but instead "identity" with the group/staff and corporation and (marginal) "adaptation" of the company's goal toward their own. At a macroeconomic level Galbraith argues that it was not his beloved Keynesian interventionism which stabilized the post-WWII economy, but the massive capital contracts the U.S. government had with industrial capital (e.g. steel, rubber, chemical, etc.), mainly though the Pentagon and NASA. These contracts allowed for industrial companies to build inventories without worrying about sales or the business cycle. Galbraith argued, the (then) modern corporation is mainly concerned with its own stability and longevity. Stability and longevity required the corporation to become as enormous as possible. The enormity of the corporation's size required "planning" become its primary development activity. The planning goes on (1) between technical and specialized staffers and midrange and upper-management, e.g. human resource planning for internal consistency; (2) for research and development and technological growth; (3) for price stability, marketing, and reliability in demand, establishing external stability and consumer relevance; (4) for balance within the corporation, via collective bargaining with worker unions and predictability of payroll costs; and (5) for contracts with the State. Small business and entrepreneurial corporations far outnumbered the several 100 enormous corporations. The actual economic and business activity was dominated by the minority big/enormous corporations. This meant the American system was dual in institutional structure. One sector where big business predominated and the dynamics of "planning" ran supreme. The other where small business and the dynamics of the profit motivate ran supreme. This was a situation that businessmen well understand, but that policy economists and politicians failed to appreciate the full relevance and policy implications. In its fortieth anniversary publication, the institutional structure of the American economy has radically transformed. The technostructure is still necessary, but its power has been greatly, perhaps absolutely, diminished. Technological shifts and socioeconomic policy shifts have moved history and the world beyond Galbraith's "The New Industrial State." However, the book's importance has not been diminished, but merely shifted. The book's importance is no longer in describing the institutional structure of American capitalism, but understanding from were the now current system evolved. To draw a Darwinian metaphor, "The New Industrial State" is the missing link between the "just-in-time" production corporation and the entrepreneurial capitalists of Adam Smith (1776) thru Karl Marx (1867). "Just-in-time" production corporations contract significant portions (if not all) of their production from subcontractors. The prevailing role of the "planning" of The New Industrial State has been demoted. The corporation does not have to plan because a subcontractor can almost always be found, the subcontractors planning is only as long as the contract with a Wal-mart, or some other mega-corporation. This institutional shift toward "just-in-time" production does not make the technostructure obsolete, but it does diminish their power role within the corporation. It will be Galbraith's "The New Industrial State" which will allow us to fully understand the "Post-Industrial State." The "New Industrial State" should receive a wide and new generation of readers. It is an important book to understand a previous era, and a specific relationship between citizens, workers, business, and the public sector, a type of symbiotic embeddedness between each group. It is also an important book to understand how that specific relationship has be reconfigured, generating a type of disembeddedness between citizens/workers and business/public sector. "The New Industrial State" helps us understand why big moneyed lobbyists have come to dominate Washington, and how it could be, and was, different.

John Kenneth Galbraith (1908-2006) was a Canadian-American economist, who taught at Harvard University, served as U.S. Ambassador to India (1961-1963), and wrote a number of bestselling books, such as American Capitalism,The Affluent Society (A Mentor Book),Economics & The Public Purpose,The Great Crash 1929,The Age of Uncertainty (which was a TV series on the BBC), etc.He wrote in the Foreword to this 1967 book, "I must again remind the reader that this book had its origins alongside 'The Affluent Society.' It stands in relation to that book as a house to a window. This is the structure; the earlier book allowed the first glimpse inside."In the first chapter on "The Imperatives of Power," he states that "Technology... leads to planning," and ultimately "will require the firm to seek the help and protection of the state." This is because the state can absorb the major risks, and guarantee a market for the product. (Pg. 20) Thus, in the areas of the most exacting and advanced technology, "the market is most completely replaced," and "The fully planned economy ... is warmly regarded by those who know it best." (Pg. 31)He invents the term "Technostructure" for the loose organization of those who bring specilialized knowledge, talent or experience to group decision-making. (Pg. 71) Mature corporations are run by this technostructure. He then opines that decentralization in Soviet-style economies does not involve a return to markets, "but a shift of some planning functions from the state to the firm." Rather than both Soviets and U.S. returning to the market (which they have "outgrown"), "There is measureable convergence to the same form of planning." (Pg. 108) (Obviously, this was written before 1989-1991.)He asserts that "Much of what is believed to be socially important is, in fact, the adaptation of social attitudes to the goal system of the technostructure." (Pg. 163) The technostructure favors prevention of losses, over profit maximization (which "invites risk of loss"). (Pg. 168-169) He further argues that "Firms spend money to take business away from each other; all cannot succeed so the result is a standoff. The only consequence is that prices are higher and profits are lower than if by some act of government or industrial statesmanship the struggle were curbed." (Pg. 203-204)He argues passionately that where there is a conflict between industrial and aesthetic priorities---e.g., defending the landscape against lumbermen---only the state can rule that "some patterns of consumption...are inconsistent with aesthetic goals." He concludes ironically, "That one must pause to affirm that beauty is worth the sacrifice of some increase in the Gross National Product shows how effectively our beliefs have been accommodated to the needs of the industrial system." (Pg. 350)There is much more in the book, of course; though more than 50 years old, Galbraith's arguments remain challenging and thought-provoking, and will be of considerable interest to modern progressives.

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